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Tupac Shakur’s “Entire Body of Work” To Be Released By His Mother

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Tupac Shakur’s “Entire Body of Work” To Be Released By His Mother

I am sure this news will reach out to the masses, with Tupac Shakur’s mother announcing plans to release his “Entire Body of Work.” More than 15 years since his passing, the artists impact is still as relevant as the days of him taking centre stage.

“I believe it is our responsibility to make sure that Tupac’s entire body of work is made available for his fans. My son left many incomplete pieces and even more unfinished ideas. Using the blueprints he gave us, I am committed to fulfilling this duty.”

 

Converse First String 1970s Chuck Taylor Snake Skin Pack

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converse-first-string-1970s-chuck-taylor-snake-skin-pack-1 New to the First String catalogue, the Converse First String 1970′s Chuck Taylor All-Star was introduced previously in an array of basic colors that are traditionally found on this classic model. This time around, First String introduces us to the Snake Skin pack which continues with classic design features which are said to be identical to the original 1970s model – also applying a faux anaconda material, making for another very nice option. The 1970′s Chuck Taylor has seen much anticipation as it responds well, being a cheaper version of Japans Addict series. While the First String model does not include a vibram sole, you get a beautiful take on a classic Converse produced in premium material, at a fraction of what Addict Converse cost. The Converse First String 1970s Chuck Taylor Snake Skin Pack will be available on February 22 at Surrender in Singapore, Darkside Initiative in San Francisco and other select Global First String Retailers.

Ronnie Fieg x Caminando Officer Boots

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CO110227-Black_RF1 copy Caminando and Ronnie Fieg continue their collaborative efforts with the all new Officer Boot style. Fieg re-designs the boot with soft nubuck in brown, and smooth 3H leather in black with very minimal detailing. Below sits sturdy Goodyear welted natural crepe soles for long lasting use. Check out the boots in limited quantities now at Kith NYC and KithNYC.com.

David Hart Fall/Winter 2013 Presentation Video

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During Mercedes-Benz Fashion Week David Hart showcased his upcoming Fall/Winter 2013 menswear collection to much acclaim. Highlighted in this presentation video are behind the scene looks from the collection as well as a short discussion with Hart about the inspiration behind the pieces. Check this out and select previews from the presentation below.

McQ by Alexander McQueen Fall/Winter 2013 Collection Lookbook

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McQ by Alexander McQueen Fall/Winter 2013 Collection Lookbook Here is a great insight into the McQ by Alexander McQueen Fall/Winter 2013 Collection with the diffusion label of the late designer impressing on many levels. Combining fine tailoring with more minimal pieces, this is highlighted by diversity in colors and strong patterns.

Volkswagen 261-MPG XL1 Hybrid

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Volkswagen 261-MPG XL1 Hybrid 10 years in the making, the Volkswagen 261-MPG XL1 Hybrid is preparing to be unveiled at the upcoming Geneva Motor Show. The design is thought to be the most fuel-efficient and most aerodynamic production car to date with an impressive 261 miles to the gallon. The two-cylinder 47-horsepower diesel motor can reach up to 31 or so miles on its battery power alone on its 27-hp electric motor. Furthermore, the XL1 can reach 0-62 miles per hour in 12.7 seconds and top out at close too 100 mph making it a comfortable drive.

Behind-the-Scenes of Kate Moss & Rihanna’s V Magazine Shoot

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Behind-the-Scenes of Kate Moss & Rihanna’s V Magazine Shoot Here is a closer look at the Kate Moss & Rihanna shoot which will grace the front cover of V Magazine. This behind-the-scenes video showcases more about the process photographer Mario Testino played out on the shoot.

DENIM BY VANQUISH & FRAGMENT Spring/Summer 2013 Collection

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DENIM BY VANQUISH & FRAGMENT Spring/Summer 2013 Collection Here is a comprehensive look at the DENIM BY VANQUISH & FRAGMENT Spring/Summer 2013 Collection with a new feature on Honeyee. Modelled by one half of the project, Hiroshi Fujiwara, the aesthetic is on par with what we have come to associate with the Japanese icon in recent years. Cuts and silhouettes are matched with equally impressive detailing combining to make a strong look.

5 Minutes With… Michael Dupouy of La MJC

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5 Minutes With... Michael Dupouy of La MJC During the latest stop on his book tour, we sat down with Michael Dupouy of La MJC at the Supra store in New York City to discuss the new All Gone 2012 book. The famed book series has been running since 2006 featuring top picks from the street culture each year. Wrapping up the 2012 year sees a new book with a cover designed by the popular artist Parra and layouts created alongside Ill-Studio.

SLAMXHYPE // First let’s talk about how the La MJC agency came to be. Introduce yourself and give some background info on yourself and the company.

MICHAEL DUPOUY // My name is Michael Dupouy, I started the La MJC company in 2001.

SXH // In your words, what exactly is the All Gone book series?

MD // An encyclopedia of the finest of the street culture and documenting that culture to have people remember what was the best of the year.

SXH // What did you see as the importance in creating a streetwear book to document the culture?

MD // I was just really into it, and I’m actually still really into it. I think it’s a wonderful tool to promote an event or promote an item and to think about the present and think about the future. I don’t think the internet is a good tool to document it and remember everything. I started as a journalist 15 years ago and I’m still attached to paper and objects. So I wanted to make a physical object that would help people to remember about the finest streetwear culture items.

SXH // I’m sure you’ve seen the street culture change over the years, what’s the biggest progression in the marketplace you’ve seen while creating this book year-after-year?

MD // I mean it’s global now. Culture has been more mainstream and really over grown. So in one hand it’s something people really complain about and in the other hand it makes the culture more accessible and more famous. Things are still growing, but nowadays everyone knows about each other thanks to social media. It connects easily, and same for the brand, it connects to the customer directly. Now everyone is growing and I think for our small niche I see people making more success year after year.

SXH // What did you take away from the previous books to put into the latest one?

MD // First of all we change it out every year. So if you collected all the books you will see slight differences that makes the book better. The fifth year we chose the a new cover design, making it laser designed and after five years I thought we need to another thing. So this year we chose something new with a velvet design and printed it with a design recognizing the year. I think it makes the book easier to recognize and gets people really thinking about it. It’s also much easier to brand when I go touring for book signings. The book itself only started with about 50 pages at the beginning and now we’re at 248 which I think is a good amount of pages.

SXH // Can you talk about the design process of the 2012 All Gone book?

MD // I’m working with Ill-Studio studio. They are helping me with the layout and the art direction and now they created the cover pattern. We talked about many patterns and influcenes over the past year and we loved all together the paisley and if you look close there you can see they added some smileys, some flowers and more, so it’s their own paisley design. I feel like working with them help me a lot because they are talented and probably one of the best in my city.

SXH // What goes into selecting an article? Why do some pieces get put in and some don’t?

MD // It’s complicated. I try to do the finest collection as possible, and having a good balance between street, sneakers, tees, apparel, objects, decks, structures, and not only one brand. So I have to have a good balance with geographic regions. I try to please everybody and have a good mix of colors, that’s really important so when you open the book it’s less boring. It’s definitely kind of a challenge.

SXH // What do you see as some of the best products of the year from 2012, in your opinion?

MD // It’s complicated. There’s tons. From Supra it’s the creation of The Owen. I loved the one I designed. Nike I’ve got to say the FlyKnits. Reebok I love what they did with the Workout Anniversary. PUMA the collaboration they did with UNDFTD. ASICS did a really good job with the guys from Woei. I also really like the Nike Free Woven Inneva, a very innovative shoe. Let’s talk about artists, I think Parra had a crazy good year, of course KAWS did a good job with the Companion. Supreme did a really good job with COMME des GARÇONS, the decks were amazing.

SXH // Can you explain the All Gone Tour and the necessity of traveling around to introduce the book?

MD // Thanks to social media people think that we all met and we all knew each other previously, I think I need to physically meet people and the readers. Then people ask me if I want to come and sign and present the books, so for me it’s really important to be physical in the cities and to not just ship the books to the store that I’ve never met. First it’s all about friendship, I don’t do book signings with stores I’ve never heard about where people just email me. I try to know the people really well who know me because usually I stay a couple of days and it’s good to hangout with friends.

SXH // Anything you’ve seen so far this year set for All Gone 2013?

MD // There’s so many cool things already. We’re already in February 2013 and Nike has the FlyKnit HTM, adidas is coming back with new technology, Supra is going big with the new Owen, KAWS is closing his brand but doing big things with the Companion and Boba Fett from Star Wears. I can’t tell, there’s so many good things happening. It’ll be a huge one again for sure.

In Conversation with Tetsu Nishiyama

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guerillas-in-the-mist8 HAVEN recently sat down with Tetsu Nishiyama, founder and designer of Japanese brands WTAPS and Forty Percent Against Rights®. During the interview, Nishiyama speaks candidly about his beginnings as a designer, the creative scene that became a culture in the ’90s and his close relationships with a number of other high-profile Japanese designers who have acted as his mentors over the years. He also talks about the concept behind the brand’s flagship GIP-STORE® in Shibuya, Tokyo. Well worth a read, check out the full article here.

Kostas Seremetis Interview by Belief

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Kostas Seremetis Interview by Belief

Here is an interesting read with Moscow based retailer Belief catching up with Brooklyn based artist Kostas Seremetis. Having worked closely with Seremetis on volume 03 of THE NEW ORDER, I got a greater insight into the artists philosophy so this makes for a particularly good read.

When, where and why did you start? Or just how long have you been painting, creating collages and making films?

I grew up in Boston, Massachusetts, and been drawing basically since my childhood, always driven by a vivid imagination. So in some capacity I have always been an artist, and I’ve been on that trajectory ever since. I started painting seriously in the early nineties; motion has always been a focal point for me and it became easier through technology.

Where did you study?

I didn’t go to art school, but I was very fortunate to be in the close proximity of great mentors, who gave me guidance and knowledge. A lot of good work happened through trial and error and lots of practice. I consider myself studying and learning every moment, and for that I am grateful. William Blake once said that “The tigers of wrath are wiser than the horses of convention.” This is my school bag.

What is your favorite piece of work that you have created? Or which of your artwork pieces is your favorite?

Lets put it like this: I have favorite situations, involving my art, my perception of the art and my practice. Every creation is an introduction to the next things I am doing.

What are you working on at the moment?

I am enjoying this interview.

Finish reading the interview HERE.

Google Introduces the Chromebook Pixel

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Google Introduces the Chromebook Pixel Google have made another bold step in the mobile computing market by unveiling the Chromebook Pixel. The name is derived from the 239 pixels/inch density the laptop boasts on its 12.85-inch touchscreen. This tablet PC features a Gorilla Glass-infused screen combined with a backlit keyboard that responds to the light within a room. In addition, the tablet PC includes a glass touchpad and an anodized aluminum alloy, while the minimal and elegant design highlights a progressive nature taking Google forward. Available for order online or for purchase at select Best Buy locations.

Nike Roshe Run Mid “New York, Paris, Tokyo, London” Collection

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Nike Roshe Run Mid “New York, Paris, Tokyo, London” Collection This Japan only release of the Nike Roshe Run makes for particularly good reading. With colorways derived from inspiration from four big cities - New York, Paris, Tokyo and London – this makes for a compelling outcome for the midcut silhouette. Featuring a canvas upper with a unique, textured midfoot panel contrasted by a vibrant lining this defines the release.

Peroni and Room 104 Update a Classic

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Peroni and Room 104 Update a Classic Peroni’s ‘Ambasciatori’ series sees the Italian beer collaborating with a number of like-minded, design conscious brands and creatives. The latest in the series is a collab with Auckland-based men’s grooming lounge Room 104. Hanan James, Co-owner/director of Room 104,  decided to give new life to a classic when he began restoring an antique barber’s chair. An ongoing project documented in a series of three videos by Peroni, check out the first part above.

Palace Skateboards: “Powers Surge” Video

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palace Palace Skateboards from London presents the all new “Powers Surge” short film. The video was filmed by Nick von Werssowetz, with addition footage provided by Joe Bressler and Peter Sidlauskas, and stars skateboarder Shawn Powers. Check out the video below. Enjoy!

POWERS SURGE from PALACE on Vimeo.


Mark McNairy New Amsterdam Autumn/Winter 2013 Presentation Video

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Mark McNairy New Amsterdam Autumn:Winter 2013 Presentation Video After a strong presentation during New York Fashion Week, Mark McNairy New Amsterdam presents a closer look at its Autumn/Winter 2013 presentation. The presentation showcases the designer’s personal take on traditional menswear along with a look at some of the behind the scenes action from the show. Enjoy. Mark McNairy New Amsterdam AW13 Video from Teddy Telles on Vimeo.

Retrograde Resistance 84-Lab Spring/Summer 2013 Collection

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84-lab-1 Spring/Summer 2013 sees Japanese streetwear designer Kazuki Kuraishi (Fragment Design) continue his relationship with adidas Originals, creating a new line – Retrograde Resistance 84-Lab. Fusing lifestyle and sports, the new line takes hints from both parties’ relative aesthetics, highlighted with meticulous attention to detail. The materials and construction speak for themselves – as should be expected from both these brands. The collection also features an impressive footwear offering, including an updated Torsion Allegra (a sneaker which is enjoying somewhat of a revival recently), reinterpreted and modernised with tonal colorways and glossy finishes while remaining true to ’90s silhouettes. Look out for the collection online soon.

Hunting and Collecting: PARADISE

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HuntingAndCollectingSS13-01 Hunting and Collecting are celebrating their 3rd anniversary this Thursday and for the 7th season in a row they have designed a store make-over with a new theme – Paradise. Check out the photos by Tine Claerhout in the gallery above and be sure to visit the newly-decked-out store if you’re close by. Aude and Niels of H&C have also put into words the thematic experience:

PARADISE // ( 3 years Hunting and Collecting)

Paradise is the freedom of making things happen your way. Paradise is the place where dreams actually come true. Paradise has the luxury of not taking itself so seriously in front of others. Paradise lies in the sweet-spot between the natural and the artificial. Paradise is the exact place where Hunting and Collecting is born 3 years ago, and this is the place where it still is ; a Paradise for you and a Paradise for us. We have been working hard for 3 years providing a dynamic area where creative endeavor finds it’s audience: the people who want to be involved by sharing ideas and by wearing products they believe in, in their own style and budget. Products that become better just because they are loved and wanted and which have an important function in people’s daily lives. Hunting and Collecting is a company – yes – but a company with a core business in setting free those products, in setting free those birds of Paradise. For you, for us, for as long as we can and as many as we can.

King Adz: THINGS DONE CHANGED

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King Adz: THINGS DONE CHANGED There has never been so much noise about the death of advertising. Every other lunch I’ve had recently is kicked off with a general discussing about how the existing model of advertising is well and truly broken. Kaput. I have just spent the last few years travelling the world writing a book about youth advertising – the most progressive and adventurous area of the industry – and getting down with some of the most interesting people out there. By the way, I love advertising, work with brands, and I’m very excited about the way it’s changed into something else… It’s the old-school dinosaurs I’m not down with. Where did it all go so wrong? I hear you ask. ‘Advertising claims to enhance our choice, but it offers us little choice about whether we see and hear it, and ever less choice about whether we respond to it.’ George Monibot. Respond to what? There is little doubt that by 2013, mainstream advertising has lost its way. It used to be big and clever and funny and entertaining and thought provoking. People used to love advertising; we’d all talk about it on pavements outside pubs on hot summer nights; the good stuff was an accepted part of modern entertainment, but now it’s not. It’s over. The signs were there for all to see: from cranking up the volume of TV spots to subjecting us to moronic opera singers or annoying comics-turned-salesmen or fake toothpaste ‘dentists’ in shopping malls showing people how bad their teeth are – it was all so wrong. Do they think we’re morons? Did they think we’d swallow the obvious lies? The death of traditional advertising couldn’t have come at a better time, and as you’ve probably guessed it’s all down to digital. The world 2.0 is so savvy and connected and switched on that the traditional advertising – print and TV – had to fall sooner or later. The old empire of ‘buy this’ is long gone. The new regime is all about open, honest communication that begins with us, the producers, finding out what the public wants; what they need. This may sound strange to some of you out there, but we used to start looking out as where we could aim the crap, sorry, communications, but with content we have to start by looking in – to the very souls of our audience, the people who will be parting with their hard-earned cash. It’s the only way forwards. If you don’t start as you mean to go on, your work will just be another wasted piece of ‘marketing’. ‘To be creative you need to be constantly insecure and there are no rules for anything in our head as well so when we talk here about the future of advertising, that’s not the main issue, what we’re really asking here is what is the future of the way people think or what is the future of ideas. This is what’s important, and as the whole media landscape changed the relevant thing is the strength of good ideas, and these ideas are now the selling point than any kind of medium. If you have a great media-independent idea then that is the strongest of all and will always survive the trends and topics…’ Erik Kessels Attitudes have changed towards the whole concept of advertising. It used to be a big deal when a band allowed their tune to be used (usually for a Levi’s spot). The song would re-enter the charts and often go to number one. Now-a-days no one gives a toss about who’s supplying the sounds as very few musicians say no to the brands or no to the money. That whistling Scandinavian tune for instance, that has been licensed for several different brands – what is up with that? It says something when you’re confused about which subliminal you’re meant to be responding to (subliminally). And Iggy Pop – say no more. He certainly cashed in his credibility chips for a ventriloquist’s dummy. ‘So think about this: Two years ago there was no Twitter – who could anticipated something like that? No-one has the slightest clue about what the world is going to look like six months from now, let alone six years from now. But there are absolutely rules. There are rules where I work – to sell the merch; to communicate; to get people to see the work, and that’s where it gets complicated because it’s more difficult than ever to actually communicate as we live in this environment of unprecedented clutter which is incredibly difficult to cut through. And that’s what makes it so exciting – this is the golden age of creativity, as it’s never been easier to get people to see the good stuff and it’s never been easier to see shit sinking into the ocean.’ Andrew Essex If there is one word that’s being abused at the moment it’s ‘content’. Everyone in the industry (and out of it for that matter) knows that content is king; but a lot of people still don’t really get what it means, let alone how to create it properly. It is the savior to all the problems faced by the advertising when trying to connect to the youth. I was in a meeting the other day with one of the leading photographic agents out there and she asked me what it really meant. This is what I told her: ‘It’s just like advertising, but without 30-odd people looking over your shoulder (who will need sushi and energy drinks in the not to distant future), with a tenth of the budget and no time at all to create the work. But it’s the most exciting and creative part of the business to be in right now.’ And a few days later, when ad legend-turned film director Tony Kaye asked me the same question I knew things had shifted. The bottom line is that content is the conduit between brand and audience, and to understand what makes authentic content work, you have to begin with sub- or street-, or youth-culture. And as I’m sat next to him right now (we’re working on a film together), Tony Kaye can fill you in. ‘Street culture is a generation of voices that are trying to express themselves and be heard, but they haven’t yet found a proper audience within the mainstream. So they go outside into the world and onto the street and they shout – either with their voice or paint a picture on a wall or they stand on a corner with a guitar or some form of musical instrument and play a song or they do an open mic or whatever, and they go through a number of hours day weeks years and ply their craft and try to get their expression out into the world.’ So it’s no fluke that content that really connects a brand to an audience is being produced as a by-product of street culture, of exciting interesting and weird-and-wonderful events that happen on or near the street. It has to be. It can’t be the usual brand exercise that has been written, story-boarded, focus-tested, rinsed, strung out to dry, and then packaged up with a logo at the end and chucked out into the world. It has to be created in an authentic way. Nurtured. The Stuff You Can’t Bottle is out now published by Thames & Hudson. King Adz

PUMA by MIHARAYASUHIRO Spring/Summer 2013 Collection Lookbook

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PUMA by MIHARAYASUHIRO Spring/Summer 2013 Collection Lookbook Little things fascinate Mihara Yasuhiro in big ways: bicycle spokes, rucksack frames, camouflage. They push him to push boundaries, stereotypes, and proportions. They shift his design language and drive his fluency in the unusual and quirky. Puma introduce their newest collaboration with MIHARAYASUHIRO thus, as the designer looks to cycling and the “Tour de Nerd” for Spring/Summer 2013 inspiration, celebrating an obsessive hobby. Materials are technical – appealing to the nerd with innovative details. Footwear is, as always, quirky and casual, with the collection challenging the boundaries of sport and fashion giving a spin to staples in MIHARA’s signature manner.
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